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Bach
Prelude No. 2 in C Major, BWV 939
Fake Your Death
0:32 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 10 4 5 100%
Bass 13 1 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 10 4 5 100%
Bass 13 1 1 4 100%
 
Minuet in E flat Major - Bach, Carl Phillipp Emanuel - H 171
DanMurray
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 5 1 7 100%
Bass 10 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 5 1 7 100%
Bass 10 0 0 3 100%
 
Invention Idea
jsdelta641
0:42 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 4 100%
Bass 16 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 4 100%
Bass 16 0 1 4 100%
 
Aria in F Major
mauvecat
0:50 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 1 4 100%
Bass 12 0 0 2 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 1 4 100%
Bass 12 0 0 2 88%
 
2. Auf, auf! die rechte Zeit ist hier. Schemelli Lieder, J.S. Bach, BWV 440.
Gertim
0:40 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 1 4 100%
T B Bass 17 0 3 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 1 4 100%
T B Bass 17 0 3 2 100%
 
Minuet in G major, BWV Anh. 114
revdjohngoodman
0:54 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 1 1 3 100%
Bass 13 1 1 4 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 1 1 3 100%
Bass 13 1 1 4 96%
 
Bach - Chorale, BWV 514
DanMurray
0:36 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 12 0 0 8 100%
Bass 14 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 12 0 0 8 100%
Bass 14 0 1 4 100%
 
BWV 939
aspasd
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2 Bass 13 0 1 4 100%
1 Treble 18 0 4 5 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
2 Bass 13 0 1 4 100%
1 Treble 18 0 4 5 94%
 
IX PRELUDIO
lucas.mundim
0:01 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 1 4 5 100%
Bass 13 1 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 1 4 5 100%
Bass 13 1 1 4 100%
 
8. Der lieben Sonne Licht und Pracht, Schemelli, Bach, choir setting: SATB, BWV 446.
SDG
0:59 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 15 0 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 15 0 2 3 100%
 
202. Uzelf wilt ons vergaad'ren
SDG
0:59 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bas		 Bass 17 0 4 3 100%
Piano,
Alt		 Treble 12 0 1 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Bas		 Bass 17 0 4 3 100%
Piano,
Alt		 Treble 12 0 1 3 100%
 
JS Bach BWV Anh 128 - (Notebook for Anna Magdalena Bach)
farmap
0:58 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 15 0 1 7 100%
Bass 12 0 1 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 15 0 1 7 100%
Bass 12 0 1 3 100%
 
183. O Lam, voor onze zonden op Golgotha geslacht
SDG
0:41 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 3 100%
Bass 14 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 3 100%
Bass 14 0 1 4 100%
 
From heaven high I come to you. Martin Luther, J.S. Bach, Vom Himmel hoch da komm ich her, Christmas
SDG
0:46 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 1 2 100%
Tenor/Bass Bass 16 0 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 1 2 100%
Tenor/Bass Bass 16 0 3 3 100%
 
92. Es spricht der Unweisen Mund wohl. Martin Luther, Johann Walter, J.S. Bach, BWV 308.
SDG
0:46 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 3 100%
Tenor/Bass Bass 17 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 1 3 100%
Tenor/Bass Bass 17 0 1 4 100%
 
Chorale
Nariel González Apodaca
0:57 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bajo
eléctrico		 Bass 13 0 1 3 100%
Guitarra
acústica		 Treble 13 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bajo
eléctrico		 Bass 13 0 1 3 100%
Guitarra
acústica		 Treble 13 0 3 4 100%